The Stylistic and Cultural Implications of Buddhist BaiNa Cloth (Buddhist Patchwork) from the Perspective of Morris's Semiotics

Abstract

Buddhist BaiNa Cloth (Buddhist Patchwork) , as a unique religious and cultural symbol, not only carries profound Buddhist teachings, but also reflects the changes of social culture. From the perspective of Morris' semiotic theory, this paper discusses the historical evolution, morphological features and cultural implications of Buddhist BaiNa Cloth (Buddhist Patchwork). This paper studies the development process of BaiNa Cloth (Patchwork) , from its origin in China's farming era to its wide application in Buddhist culture, and reveals its important role as a carrier of Buddhist culture. This paper analyzes the structural features, semantic connotation and pragmatic functions of BaiNa Cloth (Patchwork), and points out its important role in transmitting Buddhist thoughts and promoting Buddhist culture. The study also explores the cultural blending between Buddhist BaiNa Cloth (Buddhist Patchwork) and folk BaiNa Cloth (Patchwork), And the application and modeling features of Buddhist BaiNa Cloth (Buddhist Patchwork) in different Buddhist fields. Through empirical case analysis, this paper clarifies the inheritance and innovation of Buddhist BaiNa Cloth (Buddhist Patchwork) in modern society, as well as its new perspective and practical significance in clothing and costume design. The research results show that Buddhist BaiNa Cloth (Buddhist Patchwork) is not only the material embodiment of Buddhist culture, but also the reflection of social and cultural changes, and at the same time, it reflects people's spiritual pursuit to a certain extent.