The Philosophy of Art Behind the Aesthetics of ‘Keris Malela’

Nor Afian Yusof; Jamsari Alias; Aminudin Basir; Ahmad Rafizi Salleh; Zulkifli Mohammad

doi:10.61707/pv81gt49

Authors

Nor Afian Yusof The National University of Malaysia, School of Liberal Studies
Jamsari Alias The National University of Malaysia, School of Liberal Studies
Aminudin Basir The National University of Malaysia, School of Liberal Studies
Ahmad Rafizi Salleh The National University of Malaysia, School of Liberal Studies
Zulkifli Mohammad The National University of Malaysia, School of Liberal Studies

DOI:

https://doi.org/10.61707/pv81gt49

Keywords:

Philosphy of art, Aesthetic, Malela Keris, Blade, Weapon

Abstract

This study explores the profound philosophical significance and aesthetic beauty of the Malela keris blade within Malay civilization. Utilizing Herbert's qualitative analysis of artistic forms, the research aims to appreciate the philosophical underpinnings imbued in the keris's design. The methodology involves observing the physical forms of the Malela keris blade, focusing on elements such as lok, akut, bone, canyon, groove, and cliff, which distinguish it from other keris blades. The study emphasizes the craftsmanship finesse of Malela keris blacksmiths, highlighting the unique appearance identity and deep crafting philosophy of the blade. While limited to the blade alone, the research draws from library resources including books, articles, and journals to enrich its findings.