A Search for a New Model in Graffiti Art through the Synthesis of Eastern and Western Cultures with Artificial Intelligence

Authors

  • Mehmet Emin Kahraman Assoc. Prof. (PhD), Faculty of Art and Design Department of Art, Yildiz Technical University, Türkiye

DOI:

https://doi.org/10.61707/mpg2q191

Keywords:

Artificial Intelligence, Graffiti, Western Art, Calligraphy, Eastern Art

Abstract

The art of graffiti, closely associated with Hip Hop culture, has become an integral part of daily life as it is practiced in public spaces, capturing the attention particularly of younger generations. This characteristic distinguishes graffiti from other art disciplines. Moreover, graffiti is a versatile art form that easily adapts to the linguistic, religious, and racial attributes of different societies, offering a wide variety of techniques and applications. In each country, graffiti tends to reflect the culture of that nation, producing works that incorporate local cultural codes. As graffiti entered the advertising sector, it moved away from being seen as vandalism and took on an aesthetic quality, earning a place in art galleries and gaining recognition as an art discipline today. In this research, graffiti’s ability to quickly adapt to cultural differences is explored through the synthesis of Eastern and Western cultures using Artificial Intelligence (ChatGBT). The resulting works are analyzed, and recommendations are made for researchers interested in studying this field.

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Published

2024-10-03

Issue

Section

Articles

How to Cite

A Search for a New Model in Graffiti Art through the Synthesis of Eastern and Western Cultures with Artificial Intelligence. (2024). International Journal of Religion, 5(12), 608 – 618. https://doi.org/10.61707/mpg2q191

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