Cultural Symbols of “Chinese Shan-Shui" in the 4th China Comprehensive Materials Painting Biennale Ningbo

Abstract

This study aimed to explore (1) how the "Chinese Shan-Shui" themed artworks in the 4th China Comprehensive Materials Painting Biennale Ningbo reflected national and social changes. (2) how artists utilized materials, colors, and composition to express admiration for natural beauty and explore cultural identity (3) how these artworks in this exhibition reflected social transformation and cultural development, showcasing the interaction between art and society. The samples consisted of artworks from the 4th China Comprehensive Materials Painting Biennale Ningbo. Data collection included artwork analysis, and artist interviews. The data was analyzed using descriptive statistics and content analysis. Results revealed that (1) the exhibited works, through the use of comprehensive materials, demonstrated a profound expression of natural and cultural symbols; (2) the artworks reflected a transition from traditional to modern art, showcasing the diversity of Chinese society; (3) the works provided new ways of expressing traditional culture in an international context, enhancing their influence.